{"id":1041,"date":"2022-07-01T10:08:48","date_gmt":"2022-07-01T07:08:48","guid":{"rendered":"https:\/\/www.jazz.lt\/?p=1041"},"modified":"2022-07-01T10:08:52","modified_gmt":"2022-07-01T07:08:52","slug":"ukraina-nato-sudetyje-jau-netrukus-2","status":"publish","type":"post","link":"https:\/\/www.jazz.lt\/en\/news\/ukraina-nato-sudetyje-jau-netrukus-2\/","title":{"rendered":"Ukraina NATO sud\u0117tyje \u2013 jau netrukus!"},"content":{"rendered":"<p>NATO ir Ukraina dar niekada nebuvo taip da\u017enai minimos \u017einiasklaidos priemon\u0117se, kaip per pastaruosius kelet\u0105 m\u0117nesi\u0173. Kariaujan\u010dios valstyb\u0117s siekis tapti \u0161ios organizacijos nare \u0161iandien atrodo sunkiai \u012fmanomas, jos perspektyvos miglotos. O gal visgi?&#8230;<\/p>\n\n\n\n<p>Klaip\u0117dos pilies d\u017eiazo festivalio organizatoriai atliko titani\u0161k\u0105 darb\u0105, kad Ukraina nors trumpam d\u017eiazo d\u0117ka gal\u0117t\u0173 \u012fsilieti \u012f \u0161ios gynybinio pob\u016bd\u017eio s\u0105jungos gretas. Liepos 9 d. (\u0161e\u0161tadien\u012f) festivalio scenoje i\u0161vysite unikal\u0173 projekt\u0105 \u2013 \u201eSHAPE International Band, NATO Jazz Orchestra\u201c grojant\u012f su Lietuvos kariuomen\u0117s Karini\u0173 j\u016br\u0173 paj\u0117g\u0173 orkestro solistu, saksofonininku Laimonu Urbiku bei Ukrainos sausumos paj\u0117g\u0173 karinio &#8211; muzikinio centro trombonistu Pavel Koshovets.<\/p>\n\n\n\n<p>\u201eSHAPE International Band, NATO Jazz Orchestra\u201c &#8211; tarptautinis d\u017eiazo projektas, vienijantis geriausius Europos muzikantus. Pirmine sud\u0117timi \u0161is kolektyvas susib\u016br\u0117 1983 m. ruden\u012f. J\u012f sudar\u0117 JAV ginkluot\u0173j\u0173 paj\u0117g\u0173 profesional\u016bs muzikantai, kari\u0161kiai bei civiliai savanoriai, vadovaujami majoro Mike Sheehan. Nuo pat \u012fk\u016brimo prad\u017eios \u201eSHAPE International Band, NATO Jazz Orchestra\u201c koncertavo palaikydama aljans\u0105 visoje Europoje ir netrukus tapo NATO oficialiu muzikiniu atstovu.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"640\" class=\"wp-image-1042\" style=\"width: 500px;\" src=\"https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Laimonas-Urbikas.jpg\" alt=\"\" srcset=\"https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Laimonas-Urbikas.jpg 480w, https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Laimonas-Urbikas-225x300.jpg 225w, https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Laimonas-Urbikas-9x12.jpg 9w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/p>\n\n\n\n<p>\u0160io orkestro sud\u0117tyje, per vis\u0105 jo egzistavimo istorij\u0105, yra groj\u0119 muzikantai i\u0161 \u0161ali\u0173, kurios n\u0117ra aljanso nar\u0117s, ta\u010diau tapti \u0161io orkestro dalimi yra taip sud\u0117tinga, kaip tapti paties gynybinio aljanso nariu. Klaip\u0117dos pilies d\u017eiazo festivalio vadovei Ingai Grubliauskienei kilusi mintis per muzik\u0105 nusi\u0173sti \u017einut\u0119 visoms \u0161alims nar\u0117ms, jog Ukraina verta tapti NATO dalimi, daugeliui atrod\u0117 utopin\u0117. Ta\u010diau paai\u0161k\u0117jo, kad labai norint, \u012fmanoma viskas! Pasitelkus diplomatines priemones pavyko gauti leidim\u0105 \u201eNATO Jazz Orchestra\u201c koncertuoti Klaip\u0117doje drauge su Lietuvos ir Ukrainos atstovais.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><img loading=\"lazy\" decoding=\"async\" width=\"959\" height=\"1280\" class=\"wp-image-1043\" style=\"width: 500px;\" src=\"https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Pavel-Koshovets.jpg\" alt=\"\" srcset=\"https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Pavel-Koshovets.jpg 959w, https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Pavel-Koshovets-225x300.jpg 225w, https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Pavel-Koshovets-767x1024.jpg 767w, https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Pavel-Koshovets-768x1025.jpg 768w, https:\/\/www.jazz.lt\/wp-content\/uploads\/2022\/07\/Pavel-Koshovets-9x12.jpg 9w\" sizes=\"(max-width: 959px) 100vw, 959px\" \/><\/p>\n\n\n\n<p>\u201cEsu nepaprastai d\u0117kinga visiems, pad\u0117jusiems \u0161iam netik\u0117tam sumanymui virsti \u201ek\u016bnu\u201c. Ypa\u010d noriu pad\u0117koti Lietuvos ambasadoriui Ukrainoje Valdemarui Sarapinui, kuris nuo\u0161ird\u017eiai palaik\u0117 mano \u012fd\u0117j\u0105 ir noriai tarpininkavo d\u0117l jos \u012fgyvendinimo. \u0160is muzikinis projektas yra daugelio \u017emoni\u0173 nuopelnas\u201c \u2013 bendramin\u010diams pad\u0117koti nepamir\u0161ta festivalio organizator\u0117 Inga Grubliauskien\u0117.<\/p>\n\n\n\n<p>\u201eSHAPE International Band, NATO Jazz Orchestra\u201c atlieka klasikines amerikie\u010di\u0173 bigbendo d\u017eiazo aran\u017euotes i\u0161 Glenno Millerio, Duke&#8217;o Ellingtono, Count Basie ir vokalo aran\u017euotes i\u0161 toki\u0173 atlik\u0117j\u0173 kaip Frank Sinatra ir Johnny Hallyday repertuaro. SHAPE International Band, NATO Jazz Orchestra koncertuoja valstybi\u0173 vadovams, auk\u0161tiesiems NATO pareig\u016bnams ir ES nari\u0173 lyderiams bei i\u0161did\u017eiai atstovauja NATO visoje Europoje. Liepos 9 d. drauge su Lietuvos ir Ukrainos ginkluotoj\u0173 paj\u0117g\u0173 muzikantais, jie koncertuos jums!<\/p>\n\n\n\n<p>XXVIII \u201eKlaip\u0117dos pilies d\u017eiazo\u201c festivalis vyks liepos 6 \u2013 9 d., Visi renginiai nemokami!<\/p>","protected":false},"excerpt":{"rendered":"<p>NATO ir Ukraina dar niekada nebuvo taip da\u017enai minimos \u017einiasklaidos priemon\u0117se, kaip per pastaruosius kelet\u0105 m\u0117nesi\u0173. Kariaujan\u010dios valstyb\u0117s siekis tapti \u0161ios organizacijos nare \u0161iandien atrodo sunkiai \u012fmanomas, jos perspektyvos miglotos. O gal visgi?&#8230; Klaip\u0117dos pilies d\u017eiazo festivalio organizatoriai atliko titani\u0161k\u0105 darb\u0105, kad Ukraina nors trumpam d\u017eiazo d\u0117ka gal\u0117t\u0173 \u012fsilieti \u012f \u0161ios gynybinio pob\u016bd\u017eio s\u0105jungos gretas. [&hellip;]<\/p>","protected":false},"author":1,"featured_media":1044,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[19],"tags":[],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/posts\/1041"}],"collection":[{"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/comments?post=1041"}],"version-history":[{"count":2,"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/posts\/1041\/revisions"}],"predecessor-version":[{"id":1046,"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/posts\/1041\/revisions\/1046"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/media\/1044"}],"wp:attachment":[{"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/media?parent=1041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/categories?post=1041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazz.lt\/en\/wp-json\/wp\/v2\/tags?post=1041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}